Takuya Matsumoto’s ‘Tape Is Rewound’ EP Is a Masterclass in House Music.
FINA Records is back with a brand new release, and this time they’ve brought in Japanese veteran Takuya Matsumoto. His EP, Tape Is Rewound, is a masterclass in house music, […]
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Kono Vidovic March 1, 2023 323 9 5
We are excited to present our interview with Phenomenal Handclap Band! This NYC-based band has been making waves in the music scene with their unique sound and we were thrilled to have a chance to chat with them. Their latest release, the Burning Bridges EP, is sure to get your feet moving and your heart racing. We talked to them about their inspirations, creative process, and what it’s like being a part of the Razor-N-Tape label. Keep reading for our exclusive interview with Phenomenal Handclap Band!

Juliet Swango sings and plays guitar and bass. Monika Heidemann sings and plays synthesizers and bass. Daniel Collás is the producer and plays drums, keyboard instruments, and percussion
Yeah, sounds fair. Of course ‘pop’ is a pretty broad and subjective term, and so is psychedelic, I suppose, but those are definitely both elements we try to make use of.
Not particularly broad. We like a lot of obscure Italo, freestyle, international psych, soft rock, and soul music.
For us, it just starts with an idea, usually lyrical or melodic. A lot of times Daniel will put the basic track together and play it for us. Then Monika will put a vocal melody on top of it, and Juliet will start writing the lyrics. Then we all sort of fine tune it together.
Hard to really pinpoint one, but Strasbourg comes to mind. We were there for their Contre Temps festival, and it coincided with a break in our schedule, so we had a couple of days off there. The city is on the river and there were all these stationary boats that were turned into bars and clubs. There was also a small island in the middle of the city that was pretty amazing. The scene was a pretty vibrant there, and since we had time off, we got to hang out and get to know some locals. By the time our gig rolled around, it felt like the whole town was there in support.


Our gig at the dearly departed Magick City a while ago comes to mind. That was a great show, almost like playing a family reunion or something. It was a small room with oddly high ceilings, the original floor from Roseland Ballroom, and this amazing sound system powered by McIntosh amps. It was our first show in a while, and our first-time playing songs off our most recent album, and it all went over really well.
They’re both good for different reasons. Smaller gigs have that intimacy and connection with the audience. Bigger gigs like festivals have insane energy, but the audience is kind of an amorphous blob in the distance, so the connection can be harder to make.
Yes, but we feel like if we talk about it, it will lose its power. I’ve probably already said too much.
There’s something truly magical about being in a band. In particular, the energy you get from the audience. Does the performance go up a gear when you get that feeling?
I’d like to say yes, but it’s honestly hard to tell. Sometimes you feel like you’re really killing it, and then you’ll hear from somebody afterward that it wasn’t your best show. Other times you look at each other on stage and shrug and go, “I guess there’s always next time” and then people will come up to you after, raving about what a great show it was.


Yes, definitely.
Uh oh, that’s a long list. Here are just a few:
Patrick Cowley, Erasmo Carlos, Fox, Lucio Battisti, Rinder & Lewis, Tantra, Dina Ögon, Todd Terje, Tom Tom Club, Dungen, Nu Genea, Say She She, Sault, Altin Gün, Lynsey de Paul, 5th Dimension, Martin Dupont, Fanny, Barnaby Bye, Eddy Grant, Thin Lizzy, Tim Maia.
Is this a living or dead type scenario? Because if it is, probably Charles Stepney or David Bowie. If it’s someone who is still alive, then Brian Auger or Sylvester Stewart. No wait, Eddy Grant. This question is impossible to answer!
Actually no, I think we prefer to be in the studio more and more. It’s fun to adapt a live version of our studio recordings, but the art of making records is where our heart is.
Good question. But I think anyone who is serious will tell you that music chooses you, not the other way around. So any fore knowledge wouldn’t really be of much use.
Aside from the new EP with Razor N Tape we have a few new tracks we’re working on that we’re excited about. We’re DJing a bit more now, and there are a few live gigs on the horizon.
NYC’s dynamic and captivating Phenomenal Handclap Band have been making waves with their characteristic leftfield disco vibes since they first debuted on Razor-N-Tape in 2022 – and now they’re back with a brand new EP titled ‘Burning Bridges’. Featuring the upbeat, funk-driven single of the same name, this release is an absolute must-listen for any Heart fan! Not to be outdone, Prins Thomas has also contributed an incredible remix to take things up a notch and send you off into interstellar bliss. So if you’re looking for a vibrant and colourful experience, don’t hesitate to jump on board with the Phenomenal Handclap Band. You won’t regret it!
It’s been a pleasure to chat with The Phenomenal Handclap Band and get an insight into their creative process. We’re looking forward to hearing the new EP ‘Burning Bridges’,it promises to be as captivating and vibrant as ever! Thank you for taking the time out of your busy schedule to talk with us, we wish The Phenomenal Handclap Band all the best in future endeavors!
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DJ | MUSIC CURATOR & SELECTOR | PODCAST MAKER | BLOGGER Professional online interpreneur. Coffee practitioner. Electronic music culture maven. Total music guru. Infuriatingly humble problem solver. Food & sports fanatic.
Kono Vidovic February 28, 2023
FINA Records is back with a brand new release, and this time they’ve brought in Japanese veteran Takuya Matsumoto. His EP, Tape Is Rewound, is a masterclass in house music, […]
Electronic Music Podcast, Radioshow & Online Magazine | Dirty Disco 2026
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