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Family Affair Vol. 5 confirms Razor-N-Tape’s role as a cultural connector rather than just a label. The full compilation already runs through Dirty Disco 629, and this Track Talk zooms in on Dennis Liber’s contribution, following an earlier deep dive with Mike Misiu from the same release.
Reaching volume five, the Razor-N-Tape Family Affair series has evolved into something more meaningful than a standard label sampler. Each edition feels like a snapshot of an international community shaped by shared values, long-standing relationships, and an unforced understanding of what works on the dancefloor. Family Affair Vol. 5 continues that approach with a focused vinyl selection that balances established names with artists who naturally belong within the Razor-N-Tape ecosystem.
Rather than leaning on a single sound, the compilation moves fluidly across house, disco, dub, breaks, and groove-heavy club music. The common thread is not genre, but intent: music that respects history while remaining functional and forward-facing. That cohesion is exactly why the full compilation felt at home woven into Dirty Disco 629, where it sits as part of a longer narrative on DJ culture and long-form listening in 2026, rather than being isolated as a one-off feature.
This Track Talk also follows naturally from an earlier deep dive into Mike Misiu’s contribution to the same compilation. His track Hold Your Body already received its own dedicated Track Talk, offering insight into his creative process and place within the Razor-N-Tape family. That conversation set the tone for approaching Family Affair Vol. 5 not as a loose collection of tracks, but as a set of interconnected stories, each adding depth to the wider picture.
With that context already established, it made sense to continue the conversation by focusing on another artist from the same release, whose background and musical language further underline the compilation’s international and stylistic openness.
One of the standout contributors to Family Affair Vol. 5 is Dennis Liber. Born in Switzerland, raised in Greece, and now based in Tulum, Dennis’ musical path mirrors the borderless nature of the compilation itself. His work is grounded in a deep appreciation for analog synthesizers and drum machines, with a rhythm-first approach that draws from UK, Acid, Detroit, and Chicago house traditions.
At the same time, his sound comfortably incorporates Balearic influences, Latin grooves, cosmic disco, soulful textures, and classic disco foundations. Since 2018, he has steadily translated that palette to dancefloors at respected venues such as Pikes in Ibiza, Papaya Playa Project in Tulum, and Departamento in Mexico City. His presence on Family Affair Vol. 5 feels less like a feature slot and more like a natural alignment between artist and label ethos.
This Track Talk takes a closer look at that alignment, exploring how Dennis’ personal history, musical influences, and long-term dedication come together in his contribution to the compilation, and why it fits so seamlessly within the broader Razor-N-Tape narrative.
. https://www.instagram.com/dennis.liber.official?igsh=MXh2a3d1bzUydGFqNQ%3D%3D&utm_source=qr
Soul Sacrifice represents the true beginning of my musical journey. Around 15, I got really into psychedelic rock, but this Santana record stood apart. It was the first I ever bought and felt so mysterious, almost ritualistic. The fusion of psychedelic rock with Latin percussion and African-rooted rhythms revealed music as a physical, ecstatic experience that moves through the body, not just the ears. That sense of trance and ectasis became a constant thread in the music I later created.
Voodoo Ray marked my introduction to electronic dance music. It was the first dance record I owned, gifted by a dear friend, and it opened the door to rave culture and nights on the dancefloor. Around this time, I became obsessed with acid house, bought my first TB-303 clone and drum machines, and started experimenting. I realized I didn’t just want to listen to electronic music, I wanted to make it.
At the beginning of my life in Switzerland, after experimenting with acid house-techno, I gravitated toward ambient, introspective electronic music. That stayed with me from that period, marking the start of studio experimentation and my obsession with analog gear. I spent countless nights working in my studio, and for many years it became my goodnight song, shaping my understanding of space and texture.
The Light represents my relationship with my uncle and his track. As a teenager, I attended his parties and i didn’t really know at that time how it would shape me later in life. After moving to Switzerland, I started attending his parties regularly, I found myself drawn to house, disco, and soulful 90s sounds. During this time, my bond with my uncle grew through shared dancefloors and conversations, and my music began infusing more soul, emotion, and depth, evolving beyond acid house and techno.
I met Billie through my uncle who later became a good friend of mine and through her I heard firsthand stories of Paradise Garage era and Larry Levan. Nobody’s Business perfectly captures what I love about late 80s New York disco on the verge of proto-house. Emotional, danceable and timeless, it embodies the era I admire. Knowing we have collaborations planned makes this track feel personally significant in my ongoing musical journey.
Who by Odyssey (Vangelis Papathanassiou), and I Dig You, by Demis Roussos, are two versions of the same musical idea and hold a special place in my heart. Both artists connect me to my Greek heritage, reflecting its musical traditions and storytelling. While Who By Odyssey is nostalgic and introspective, I Dig You turns the essence into a spirited, festive groove. Together, they represent music’s duality: reflective and celebratory.
Later, life brought me to Mexico, where I lived in Tulum, opened a restaurant, and began producing and DJing seriously. Una Sera d’Estate, part of the Club Eden EP, marks the end of the Club Eden parties, which brought together friends and artists from around the world. It reflects my determination to dedicate my life to music and the merging of friendship and collaboration.
La Guadeloupe represents my connection to Caribbean rhythm, warmth, and sensuality. Influences that have shaped my music for years. Zouk balances joy and romance while staying grounded. Including this track feels essential, as much of my output often draws from the Caribbean and the idea of music as a communal, life-affirming experience.
Rediscovering this track reminded me of the power of simplicity. Its direct emotion, space, and melody show how electronic music can feel deeply human without excess. This return to stripped back, song focused music has influenced where my work is heading, toward honesty, accessibility, and emotional presence. The version linked is the Jonny Rock edit, which I absolutely love.
Mystérieuse Rebelle, included in Family Affair Compilation Vol. 5, was my second release on RazorNTape, one of my favorite labels. The track blends house, Balearic, and disco influences with a cosmic, funky groove. Featuring Chäm, whose lyrics and voice carries an intense, rebellious power. Beyond its sound, it represents determination and passion, showing that commitment can turn long-held dreams into reality.
Massive thanks to Dennis for taking the time to share his story so openly and thoughtfully. You can hear how every chapter of his life feeds directly into the music he makes today, and Mystérieuse Rebelle is a perfect reflection of that commitment and passion.
If you appreciate house and disco that carries history, emotion, and intention, make sure you check out Family Affair Vol. 5 and Dennis’ contribution in full. Support the release, support the artists, and keep digging deeper, that’s where the real magic lives.
Respect to Dennis, and respect to the Razor-N-Tape family.
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DJ | MUSIC CURATOR & SELECTOR | PODCAST MAKER | BLOGGER Professional online interpreneur. Coffee practitioner. Electronic music culture maven. Total music guru. Infuriatingly humble problem solver. Food & sports fanatic.
Every now and then a compilation lands in my inbox that immediately feels intentional. Not just another label sampler, but a statement about where things are right now. Panorama did […]
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