Dirty Disco 631 – A Deep House Listening Guide
Dirty Disco episode 631 is a carefully paced deep house journey that leans into restraint, groove and long‑form musical storytelling. This episode was created during a busy week, which resulted […]
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Kono Vidovic January 30, 2026 114 8 5
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Dirty Disco 632: A Deep Dive Into Underground House, Disco and Selector Culture Kono Vidovic
Dirty Disco 632 is a two-hour DJ mix and radio show curated and presented by Kono, focusing on new releases, promos and underground selections across house, disco, soulful and leftfield electronic music. This episode balances deep listening with dancefloor awareness, offering both context and uninterrupted flow depending on the version you choose.
The show airs on radio and is also available in two formats online:
a presented version with spoken context, and a DJ-only mix for uninterrupted listening.
What sets this episode apart is its emphasis on groove, pacing and long-form storytelling, rather than quick transitions or trend-driven programming.
Dirty Disco 632 is a two-hour DJ mix curated and presented by Kono, focused on new underground house, disco and soulful releases.
The episode blends downtempo openings, funk-informed disco, deep house grooves and late-night club energy, with careful attention to flow, pacing and long-form storytelling.
Listeners can choose between a presented version with spoken context and a DJ-only mix with uninterrupted flow. The episode features new music and promos from artists such as Eric Hilton, Brooklyn Funk Essentials, Tom Esselle and Ben Gomori, highlighting selector culture over trends.


Dirty Disco 632 is built as a progressive two-hour journey. The mix opens with downtempo and warm, atmospheric sounds, gradually moves through funk-informed disco and deep house, and closes in a more hypnotic, late-night club space.
The focus throughout the episode is on:
This is not a playlist-style show. It is a curated DJ set, designed with intention and restraint.
The episode opens with Eric Hilton – Lalitā, taken from his album A Sky So Close. Known as a co-founder of Thievery Corporation, Hilton brings a refined downtempo aesthetic that sets the tone without demanding attention.
This opening establishes an important principle of Dirty Disco:
let the listener settle in before you start pushing energy.
From there, the mix gently moves into lovetempo, maintaining warmth while introducing subtle rhythmic momentum.
The first major groove lift comes from Brooklyn Funk Essentials, with Bust The Bus Stop and Never Give Up, released via Dorado Records.
These tracks connect classic funk and disco ideas with modern club sensibilities. Importantly, they are not played as nostalgia pieces. They are placed as functional DJ records that reset and reframe energy without breaking the mix.
This section of the episode highlights how disco-informed music still plays a crucial role in contemporary DJ culture when used with intention.

One of the defining moments of Dirty Disco 632 is Mon Qalamari – Quente (Ben Gomori’s Smoke Show Remix). Ben Gomori has become widely respected for edits and remixes that sit perfectly between house, disco and leftfield.
These are not “big moment” records. They are selector tools: tracks DJs rely on to move a set forward smoothly while maintaining atmosphere.
This philosophy continues with artists like Sweatson Klank and Massiande, where groove, texture and pacing are more important than hooks or drops.
At the halfway point, the mix leans into deeper territory with Loxion OsnoTvni – Secret Stabs and Distance – Paradise (Rhode & Brown Remix).
This section is about trusting the listener. Rather than constantly refreshing energy, the set allows tracks to breathe, reinforcing Dirty Disco’s long-standing approach:
consistency builds stronger engagement than constant change.
For listeners who want deeper insight, this episode is supported by Track Talks and blogs on Dirty Disco’s website, offering background information without disrupting the listening experience.
A major highlight in the second half is the inclusion of Tom Esselle, with multiple tracks from his EP on WOLF Music.
Tracks like Livewire, Don’t Have To, Small Talk and Spaced Out show a producer working confidently within UK garage and house traditions while keeping things soulful and restrained.
These records are placed strategically to increase forward motion without losing warmth, demonstrating how modern house can still feel human and musical.
As the episode moves toward its final stretch, tracks like Mokado – The Park // 6:42AM, Demm Deep & JM7 – Man Like Me, and Rules feat. Gregory Porter – Holding On deepen the emotional register of the mix.
The closing selections, including edits by Ben Gomori and a remix by Kassian, underline the show’s commitment to underground club culture rather than mainstream appeal.
The episode closes without dramatic peaks, reinforcing its long-form listening philosophy.


Alongside the presented version, Dirty Disco 632 is also available as a DJ-only mix. This version removes all voice-over and is designed for uninterrupted listening, late-night sessions and DJ inspiration.
Listeners can choose:
Both formats reflect the same core philosophy: respect the music and respect the listener’s time.
Dirty Disco 632 is not about chasing trends. It is about curation, musical patience and long-term listening value. In an era of short attention spans and algorithm-driven playlists, this episode reinforces the importance of the DJ as a selector and storyteller.
Whether you are a listener discovering new underground music or a DJ studying pacing and structure, this episode offers more than surface-level entertainment.
Dirty Disco 632 is a two-hour DJ mix and radio show curated by Kono, featuring new and underground house, disco and soulful electronic music. The episode focuses on flow, groove and long-form listening rather than quick transitions or mainstream hits.
Both versions are available.
The presented mix includes spoken segments with context about tracks, artists and DJ placement.
The DJ-only mix contains no voice-over and is designed for uninterrupted listening.
The episode features deep house, disco, soulful house, underground edits and leftfield electronic music. The selections emphasize groove, warmth and pacing rather than peak-time drops or trend-driven sounds.
Dirty Disco 632 is made for:
Listeners who enjoy long-form DJ mixes
Fans of underground house and disco
DJs looking for inspiration in selection and flow
Late-night or focused listening sessions
Yes. The episode includes new and upcoming releases and promo material from respected labels and artists, including music by Eric Hilton, Brooklyn Funk Essentials, Tom Esselle, Sweatson Klank and Ben Gomori-related edits.
The complete tracklist is included with the episode and available via Dirty Disco’s platforms, including the website and Mixcloud pages.
Dirty Disco is a curated DJ mix, not a playlist. Tracks are selected and ordered intentionally to create a continuous musical journey, with attention to timing, transitions and emotional progression.
Yes. Many DJs listen to Dirty Disco episodes to study pacing, structure and selection, especially the DJ-only version, which is designed for uninterrupted reference listening.
Dirty Disco 632 is available on radio and on platforms such as Mixcloud and SoundCloud, depending on the version. A DJ-only mix and a presented version are offered separately.
Yes. Additional blogs, Track Talks and background content related to the episode are available via Dirty Disco, providing deeper insight into the music and artists featured.
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DJ | MUSIC CURATOR & SELECTOR | PODCAST MAKER | BLOGGER Professional online interpreneur. Coffee practitioner. Electronic music culture maven. Total music guru. Infuriatingly humble problem solver. Food & sports fanatic.
Dirty Disco episode 631 is a carefully paced deep house journey that leans into restraint, groove and long‑form musical storytelling. This episode was created during a busy week, which resulted […]
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